Blackmagic Cintel Scanner G3 HDR+ Manual

Table of Contents

• Unpacking and Mounting
  • Desk Mounting
  • Wall Mounting
  • Warning for Safely Installing your Scanner
• Getting Started
  • Installing the Software
  • Plugging in Power
  • Connecting to a Computer
  • Launching DaVinci Resolve
  • Firmware Updates
    • Cintel Scanner
    • Audio and KeyKode Reader
    • Performing a Firmware Update
  • Software Development Kit
  • What is HDR?
  • Drive Wheel Types
  • Lacing Film
• Using Your Scanner
  • Wind Types
  • Switching to 16mm
  • Skid Plate Tension Screws
  • Playback Controls
    • Load
    • Rewind
    • Step Back
    • Stop
    • Play
    • Step Forward
    • Fast Forward
  • Standby Mode
• Capturing from Cintel using DaVinci Resolve
  • The Cintel Scanner Interface
    • Calibration
    • Film Type
    • Light Source
    • Image Stabilization
    • Film Protection
    • Editing Capture Info Metadata
  • Film Scanning Workflows
    • Before You Begin
    • Load and Align the Film
    • Focus the Scanner
    • Reset the Timecode
    • Choose a Location to Save the Scanned Frames
    • Check the Codec
    • CinemaDNG Quality Settings
    • Set the Timeline Resolution
  • Adjusting the Color of the Scanner
  • Scanning One or More Sections of Film
  • Extracting Audio
  • Audio Extraction Settings
    • Override audio scan area
  • Color Space and Sizing
• Optional Audio and KeyKode Reader
  • Attaching the Audio and KeyKode Reader
  • Reading Audio
    • Lacing Film
  • Setting the Reader for Audio Scanning
    • Audio Source
    • Use Film
    • Audio Type
    • External Audio
    • Flip Image
    • Sync Output
    • Capture speed
    • Tracking
    • Advanced Tracking
    • Commencing your scan
  • Reading KeyKode
  • Setting the Reader for KeyKode Scanning
    • Use Film
  • Transcoding to DPX including KeyKode Metadata
• Servicing
  • Cleaning the Particle Transfer Rollers
  • Cleaning the Capstans
  • Dusting
  • Cleaning the Audio and KeyKode Reader Roller
  • Cleaning the Audio and KeyKode Reader’s Magnetic Audio Head
• Working with Clips in DaVinci Resolve
  • Project Manager
  • Editing with the Cut Page
    • The Cut Page Layout
    • Media Tabs
    • Viewer Tabs
    • Importing Clips to the Media Pool
  • Adding Clips to the Timeline
  • Trimming Clips on the Timeline
  • Audio Trim View
  • Adding Titles
    • Previewing Titles
  • Working with Blackmagic RAW Files
    • Clip Settings for Blackmagic RAW
    • Changing Blackmagic RAW Settings
    • ISO
    • Highlight Recovery
    • Gamut Compression
    • Color Temp
    • Tint
    • Exposure
    • Saturation
    • Contrast
    • Midpoint
    • Highlight Rolloff
    • Shadow Rolloff
    • White Level
    • Black Level
    • Use Video Black Level
    • Export Frame
    • Update Sidecar
    • Project Settings for Blackmagic RAW
  • Color Correcting your Clips with the Color Page
    • Using Scopes
    • Secondary Color Correction
    • Qualifying a Color
  • Adding a Power Window
    • Tracking a Window
  • Using Plugins
  • Mixing Your Audio
    • The Fairlight Page
    • The Audio Timeline
    • What is a Bus?
    • The Mixer
    • Using the Equalizer to Enhance your Audio
  • Adding VFX and Compositing on the Fusion Page
    • The Fusion Page
    • Getting Started with Fusion
    • Understanding Nodes
    • Working with Keyframes
    • Using the Motion Tracker and Adding Text
  • Mastering Your Edit
  • Quick Export
  • The Deliver Page
• Automatic Dirt Removal
  • Main Controls
  • Fine Controls
• Dead Pixel Fixer
  • General
  • Patch Type
  • Patch Options
  • Advanced Controls
• Deflicker
  • Main Parameters
  • Temporal NR
  • Speed Optimization Options
  • Restore Original Detail After Deflicker
  • Output
• Dust Buster
  • General
  • Patch Type
  • Patch Options
  • Advanced Controls
• Noise Reduction
  • Temporal NR Controls
  • Temporal Threshold Controls
  • Spatial NR Controls
  • Spatial Threshold Controls
  • Global Blend
  • Using Noise Reduction
    • Try Applying Temporal NR First, then Applying Spatial NR
    • Spatial NR Radius, How Large Should You Go?
• Object Removal
• Specifications
  • Scanner Features
    • Film Stocks
    • Film Gauges
    • Native Resolution
    • Effective Resolutions
    • Audio
    • HDMI Formats
    • Dirt and Scratch Reduction
    • Mounting Options
    • Dynamic Range
  • Transport Features
    • Continuous Motion
    • Run speed
    • Shuttle
    • Film Shrinkage Tolerance Up to 2% guaranteed, more may be possible if user care is taken.
    • Acceleration
    • Capacity
  • Connections
  • Power Requirements
  • Ideal Film Conditions
  • Operating Systems
  • Accessories
  • Audio and KeyKode Reader
    • Equalisation
    • Supported KeyKode Scan Speeds
    • LED Type
    • Supported Audio Scan Speeds
    • Supported Optical Audio Types
    • Audio Sampling Rate and Bit Depth
    • Optical Audio 35mm
    • SnR Signal to Noise Ratio4
    • Wow and Flutter5
    • Optical Audio 16mm
    • SnR Signal to Noise Ratio4
    • Wow and Flutter5
    • 16mm Single Perforation Mag Stripe
    • Engagement Pressure
    • Bandwidth6
    • SnR Signal to Noise Ratio4 -55dB
    • Wow and Flutter5 < 0.3%
• Regulatory Notices
  • Disposal of waste of electrical and electronic equipment within the European union.
• Safety Information
  • • State of California statement
  • Warning for Authorized Service Personnel
• Help
  • • Blackmagic Design Online Support Pages
    • Blackmagic Design Forum
    • Contacting Blackmagic Design Support
    • Checking the Software Version Currently Installed
  • How to Get the Latest Updates
  • Creating a Status Report
  • USB Recovery
• Warranty
  • 12 Month Limited Warranty