Documents
Blackmagic ATEM Television Studio HD User Manual [Web Manual]
Table of Contents
- Introducing ATEM Television Studio HD8
- What is an M/E Switcher?
- What is an A/B Direct Switcher?
- Understanding the ATEM Switcher
- Getting Started
- Plugging in Power
- Connecting the Multiview
- Plugging in Sources
- Plugging in Audio
- Performing a Transition
- Setting Your Network
- Using ATEM Television Studio HD8
- Control Panel Overview
- System Control
- Navigating the LCD Menu
- System Control
- Changing Settings
- Home
- Settings
- Changing Settings
- HyperDeck Settings
- Button Mapping
- Talkback and Call Buttons
- The Call Button
- Program Mix
- Dim
- Mute
- Cans
- Speaker
- Talk
- Studio
- Mix Effects
- Source Name Displays
- Program Bus
- Preview Bus
- Shift
- Source Select Bus
- Transition Control and Upstream Keyers
- Cut
- Auto
- Fader Bar and Fader Bar Indicator
- Transition Type Buttons
- Preview Transition
- Next Transition
- On Air
- Macro
- Downstream Keyers
- Downstream Key Tie
- Downstream Key Cut
- Downstream Key Auto
- Fade to Black
- Audio Mixer
- Channel Strips
- LCD
- Rotary Knobs
- On Button
- Solo Button
- Select Button
- Mode Buttons
- Modes
- Channel and Modifier Buttons
- Master
- Alt
- Bank
- Audio Controls Workflow Guide
- Channel Strips
- Selection Buttons
- Stream and Record Buttons
- Storage Media
- Preparing Storage via a Computer
- Formatting Media on a Mac Computer
- Formatting Media on a Windows computer
- Preparing Storage Using ATEM Television Studio HD8
- Formatting Storage using ATEM Television Studio HD8
- Formatting Internal Storage using ATEM Setup
- Accessing Storage
- Cloud Sync
- Setting Date and Time
- Sign into Dropbox and Google Drive
- Sync Folder and Direction
- Using the Multiview
- Preview
- Program View
- Input Views
- Media Player View
- Streaming View
- Recording View
- Audio View
- Preparing Storage via a Computer
- ATEM Software Control
- Connecting Directly
- Connecting via a Network
- Switcher Control Panel
- Switcher Panel
- Preferences
- General Preferences
- Button Mapping
- Changing Switcher Settings
- General Settings
- Video
- Media Pool
- Camera Control
- Remote Source Network
- Audio Settings
- Split Audio
- Talkback
- Mix Minus
- General
- Multiview Settings
- Sources
- HyperDeck Settings
- Remote Settings
- Auxiliary Outputs
- Routing Auxiliary Outputs
- Audio Output Channel Mapping
- Routing program audio using ATEM Software Control
- Saving and Restoring Switcher Settings
- Save Startup State
- Save Settings as an XML
- Factory Reset
- Switching with ATEM Software Control
- Mouse or Trackpad Operation
- Using Keyboard Hot Keys
- Mix Effects
- Program Bus Source Select Buttons
- Preview Bus Source Select Buttons
- Transition Control and Upstream Keyers
- CUT
- AUTO/RATE
- Fader Bar
- Transition Style
- PREV TRANS
- Next Transition
- ON AIR
- Downstream Keyers
- TIE
- ON AIR
- AUTO
- Fade to Black (FTB)
- Processing Palettes
- Palettes Tab
- Media Players Tab
- Media Players
- HyperDecks
- Output Tab
- Live Stream
- Streaming and HyperDeck Quality Settings
- Record Stream
- Capture Still
- Timecode Generator
- Time of Day
- Counter
- ATEM Media Pool
- The Browse Window
- The Media Pool Window
- Browsing and loading files
- Capture Still
- Using the Audio Mixer
- Tally
- Audio Level
- Audio Balance
- Audio Source Selection
- Master Audio Level Output
- Using MADI
- MADI In
- MADI Out 1
- Headphones Settings
- Master
- Talkback
- Sidetone
- Advanced Fairlight Controls
- Input Level
- 6 Band Parametric Equalizer
- Handles
- Frequency Knobs
- Range Presets
- Gain Knobs
- Q Factor
- Band Filters
- Dynamics Controls
- Common Dynamics Settings
- Expander/Gate
- Compressor
- Make Up
- Limiter
- Dynamics Controls Characteristics
- Using Camera Control
- Camera Control Panel
- Camera Control Selection
- Channel Status
- Camera Settings
- Show/Hide Color Bars
- Detail
- Color Wheel
- Master Wheel
- Reset Buttons
- Iris/Pedestal Control
- Zoom Control
- Coarse Setting
- Iris Indicator
- Auto Focus Button
- Manual Focus Adjustment
- Camera Gain
- Shutter Speed Control
- White Balance
- DaVinci Resolve Primary Color Corrector
- Color Wheels
- Master Wheels
- Contrast Setting
- Pivot Setting
- Saturation Setting
- Lum Mix Setting
- Hue Setting
- Tint Setting
- Synchronizing Settings
- Camera Control Panel
- Operating your ATEM Switcher
- Internal Video Sources
- Black
- Color Bars
- Color Generators
- Media Players
- All Transition Types
- Cut Transitions
- Program Bus
- CUT Button
- Auto Transitions
- Mix Transitions
- Mix Transition Parameters
- Dip Transitions
- Dip Transition Parameters
- Wipe Transitions
- Wipe Transition Parameters
- Stinger Transitions
- Performing a Stinger Transition
- Stinger Transition Parameters
- DVE Transitions
- DVE Transition Parameters
- Sharing DVE resources
- Performing a Graphic Transition
- Description of Graphic Wipe Parameters
- Graphic wipe images
- Graphic Wipe Screen Width Requirements
- Manual Transitions
- Preview Transition
- Internal Video Sources
- Keying using ATEM Switchers
- Understanding Keying
- Luma Key
- Background
- Fill
- Linear Key
- Background
- Fill
- Key
- Pre multiplied Key
- Performing an Upstream Luma/Linear Key
- Performing a Downstream Luma/Linear Key
- Chroma Key
- Background
- Fill
- Key/Cut
- Performing an Advanced Chroma Key
- Fine Tuning your Key using Key Adjustments
- Chroma Correction using Color Spill and Flare Suppression
- Matching your foreground and background
- Pattern Key
- Background
- Fill
- Key/Cut
- Performing an Upstream Pattern Key
- Adjusting the X/Y Position of a Pattern
- DVE Key
- Background
- Fill
- Key/Cut
- Performing an Upstream DVE Key
- DVE parameters
- Adding DVE Borders
- DVE border parameters
- Key Masking
- Flying Key
- Performing Upstream Keyer Transitions
- ON buttons
- Next transition buttons
- Performing Downstream Keyer Transitions
- DSK parameters
- Streaming
- Getting a Stream Key
- Configuring Settings for Twitch
- Direct Streaming by Sharing Your Computer Internet
- Smartphone Tethering
- Getting a Stream Key
- Additional Features on ISO Models
- Connecting Remote Sources over a Local Network
- Connecting Directly
- Connecting via a Network Switch
- Selecting the Input
- Connecting Remote Sources via the Internet
- Recording ISO Files
- How to Record ISO Files
- What’s in the ISO Folder?
- Append Recording
- Benefits of Editing a Live Project
- What’s on the Layers?
- Shifting Edit Points
- Replacing Shots
- Adding Dissolves
- Cutting Out Boring Bits or Mistakes
- Editing in DaVinci Resolve
- Recording in Camera
- Connecting Remote Sources over a Local Network
- Using Adobe Photoshop with ATEM
- Setting up Plug-in Switcher Location
- Preparing Graphics for Download
- Using Macros
- What is a Macro?
- The Macros Window in ATEM Software Control
- Recording Macros
- Recording a Macro using ATEM Software Control
- Building Large Macros
- Macros Window Create Page
- Macros Window Run Page
- Recording Macros using ATEM Television Studio HD8
- HyperDeck Control
- Introducing HyperDeck Control
- Connecting HyperDecks
- HyperDeck Settings
- Controlling HyperDecks with ATEM Software Control
- Playback
- Recording
- Controlling HyperDecks with ATEM Television Studio HD8
- Controlling HyperDecks with ATEM Television Studio HD8
- Introducing HyperDeck Control
- Using ATEM Camera Control Panel
- Powering the Panel
- Connecting the Panel to your Switcher
- Changing Network Settings
- Camera Control Panel Layout
- LCD Menu Settings
- Panel Settings
- Camera Settings
- Color Adjustments
- CCU Panel Controls
- Controlling Cameras
- Assigning a Camera to a CCU
- Scene Files
- Recall All
- ND
- CC
- Master Gain
- Relative Control and Absolute Control
- White Balance
- Color Bars
- Shutter Speed
- White and Black Balance Controls
- D EXT/EXT
- Camera Number
- Gain and Pedestal Level Control
- Iris and Master Black Indicators
- Preview
- Sensitivity
- Coarse Control Knob
- Iris and Master Black Active
- Auto Iris
- Call
- Panel Active
- Using Tally
- Sending Tally Signals via a GPI and Tally Interface
- Using a Third Party Audio Mixer Control Surface
- Using an Audio Mixer Control Surface
- Connecting Your Audio Mixer Control Surface
- The MUTE button
- Decibel Scales
- Using a DaVinci Resolve Micro Panel
- Making Color Correction Adjustments
- The Trackballs
- Control Knobs
- Control Buttons
- Updating the Software
- How to update the ATEM Software
- Updating the Switcher Software
- Updating via Ethernet
- How to update the ATEM Software
- Adapter Cables for Talkback and Camera Control
- Talkback Pin Connections
- Serial Port Pin Connections for Control Cables
- RS-422 Pin Connections for Control Cables
- 5 Pin XLR Talkback Headset Connector Pinout Diagram
- Developer Information
- Blackmagic SDI Camera Control Protocol
- Overview
- Assumptions
- Blanking Encoding
- Message Grouping
- Abstract Message Packet Format
- Defined Commands
- Example Protocol Packets
- Blackmagic Embedded Tally Control Protocol
- Data Flow
- Assumptions
- Blanking Encoding
- Packet Format
- Blackmagic SDI Camera Control Protocol
- Help
- Getting Help
- Blackmagic Design online support pages
- Contacting Blackmagic Design support
- Checking the version currently installed
- How to get the latest updates
- Getting Help
- Regulatory Notices
- Safety Information
- Warning for Authorized Service Personnel
- Warranty
- 12 Month Limited Warranty